Letter written by John C. Fox, John C. Fox Company, New York, to Juliana Force, dated January 27, 1928 with reference to file no. 1105 (page 1). Includes extracts from 2 letters (page 2 and 3). The extracts are: from (Sgd.) G. Sindey Houston, Jr.,...
Art, American--20th century--Inventories; Art--Prices; Whitney Studio Galleries--Paperwork (Office practice);
Inventory record of Paul Rohland's art works written by Whitney Studio Galleries, n.d. Additional handwritten notes. On page 2, five (5) additional watercolor titles, prices and dimensions are included in Folio. The monotypes by Rohland and...
Exhibition checklist of oil paintings by Oscar Bluemner. Held at the Whitney Studio Galleries, November 4-November 23, 1929. Title from cover. Includes newspaper clipping and provenance information attached to inside sleeve, opposite cover....
Catalogue of an exhibition of American paintings organized by Gertrude Vanderbilt Whitney. The Overseas Exhibition was shown in Venice, London, Paris and Sheffield, returning to the Whitney Studio in November 1921. Introduction by Gertrude...
Catalogue of an exhibition of American paintings organized by Gertrude Vanderbilt Whitney. The Overseas Exhibition was shown in Venice, London, Paris and Sheffield, returning to the Whitney Studio in November 1921. Introduction by Gertrude...
Catalogue for the Whitney Studio Club Exhibition (Traveling Exhibition) held at the California Palace of the Legion of Honor, San Francisco, CA, from January 16-January 31, 1928. Includes 2 black and white plates. Artists include: Pamela Bianco,...
Letter written by C. S. Pietro to Gertrude Vanderbilt Whitney, dated January 18, 1917. Signed in ink. Two (2) sheets with information written in red ink on Page 2, verso.
Grierson writes to Markham about an array of topics including various social issues and the financial independence of writers and poets and how it restrains them from criticizing certain men and writing about certain topics.
Tappan thanks Markham for visiting Baltimore and invites Markham to visit again. He requests a handwritten copy of "The Man With The Hoe" and other poems so he can have them framed and hung at his school.
Le Prade praises Markham for his work and his friendship and the joy his work has brought to her life. She thanks him for his portraits and looks forward to meeting him again.
